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STUDIO JOURNAL

Behind the Artwork

Process stories, studio notes and the quiet details behind each drawing.

A closer look inside the Gwatkin Artworks studio — from wildlife reference images and early ideas to careful pencil layers, finished originals, fine art prints and commissioned portraits.

More than the finished drawing

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Behind every finished piece is a wealth of reference images, ideas, experiments and careful decisions.

This journal gives you a closer look at the process, the materials I use and the stories behind the artwork.

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FEATURED STORY

Gone Fishing — From Wildlife Hide to Drawing Board

Mal from Wild Lens Images spent hours in a hide to capture the perfect moment — a kingfisher with a fish. That photograph became the reference for this coloured pencil drawing.

Explore the studio journal

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Wildlife Artwork Stories

The inspiration, references and process behind original wildlife drawings.

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Pet Portrait Stories

A closer look at the character, emotion and details behind commissioned portraits.

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From Photo to Finished Drawing

How reference images are studied, adapted and slowly built into finished artwork.

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Materials & Techniques

Studio notes on coloured pencil, graphite, surfaces, layering and detail.

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Features, Exhibitions & Releases

Magazine features, exhibitions, charity pieces, prints and original artwork releases.

Latest from Behind the Artwork

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Wildlife Artwork Stories

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The story behind a coloured pencil kingfisher drawing, beginning with Mal from Wild Lens Images in the field and ending at the Gwatkin Artworks drawing board.

Gone Fishing — From Wildlife Hide to Drawing Board

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Pet Portrait Stories

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This Behind the Artwork story follows Marley's portrait from the first marks around the eyes and nose through to the final layers of fur, expression and personality.

Marley’s Portrait — Capturing Character in Coloured Pencil

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Features, Exhibitions & Releases

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A closer look at the coloured pencil kingfisher artwork that became an important milestone for Gwatkin Artworks after being featured in Ann Kullberg’s Color Pencil Magazine.

I Was Here First! — Featured in Ann Kullberg’s Color Pencil Magazine

From reference to finished artwork

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The starting point

Reference, inspiration and the first ideas.

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Careful planning

Composition, value studies and colour planning.

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Slow pencil work

Layer by layer, detail built with patience.

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The finished piece

Fine details, final checks and presentation.

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Interested in a pet portrait?

Beautiful, hand-drawn portraits that capture your pet's character and spirit.

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Looking for wildlife artwork?

Original wildlife drawings inspired by British species and natural moments.

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Have a piece or idea in mind?

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I'd love to hear about your project or answer any questions you have about commissions, prints or the artwork process.

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